Monotype: Omikuji II

Omikuji II, Monotype, Watercolor & Colored Pencil
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Start at the bottom of this post to see the process on this one.
The first monotype pulled from the plate. (I also pulled two very faint ghost prints.)
After a trip through the press, pulling the monotype from the plate.
Close up of wet ink with varied mark-making.
Ink is removed with pastel stomps, rolled & folded paper towels, finger tips, etc.
A copper plate is coated with Black oil-based Daniel Smith etching ink, using a brayer. The drawing was sketched over vellum paper, which is explained here. The meaning of Omikuji is also explained in that post.